Every Easter Is the Same

 Michael Ossorgin—“Mr. Ossorgin” to us students, although in the rest of the world he would have been addressed as “Father” or “Doctor”—a Russian tutor (=professor) at St. John’s College in Santa Fe, had built a chapel on his home property. There was a small congregation that gathered there. No signs announced services; no ads were placed; it was entirely word-of-mouth. Some other students told me about it, and I joined a few of them for an Easter service.
    It was in the middle of the night between Saturday and Sunday. Although the mountain air was chill, the chapel was warm with candles burning. There were no pews. Women who were pregnant or nursing would sit on some benches by the wall. The structure was adobe, classic Santa Fe, home-made, and not very large. I remember only a few details. At one point, all the icons and so forth were taken in a procession outside, around the building. As they were being distributed, I heard Mr. Ossorgin say, “Give the little ones to the little ones.”
    I also remember the red eggs. We who were not Orthodox could not receive communion, but we were welcome to take one of the eggs with us. They were hard-boiled, plain red-dyed eggs.
    The service was long and I didn’t understand it, although the chant and smell filled the visually beautiful chapel with even more beauty. There was also great excitement. I do remember one chant, repeated endlessly with parts and a low bass-line that the men took particular delight in: “Christ is risen from the dead, trampling down death by death. And upon those in the tomb”—the bass line went very low for “in the tomb,” and then it was repeated—“And upon those in the tomb, He granteth life! He granteth life!”
    Giddly with the warmth and strangeness and joy of it all, we few students went afterwards into the Ossorgins’ home, where all the congregation gathered for a great feast. This was, what?, one or two A.M. Lots of people had brought lots of food. There were many I didn’t recognize, but I do recall real plates and silverware and people sitting at the table or on the sofa and in many other places, and lots of good food, and pascha! This was the first time I saw it: a pyramid of sweet cheese, with candied fruit marking its sides with Easter symbols. And kulich. And so much more.
    There was a game that people played with their red eggs. You would hold yours in one hand, one end out; another person would do the same; and you would hit your eggs together. One will crack, but not the other. The game continues until every egg, save one, has been cracked. The person with the remaining uncracked egg is the next one who will be married.
    Being a novice at this, my egg of course cracked the first time.
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    I was sitting at the table during the feast, and one of the Ossorgins’ sons was beside me. “Isn’t it great,” he said, “how every Easter is the same!”
    He said it in that Russian way of suggesting much more than you are saying. Every Easter really is the same event: the remembrance of Jesus’ resurrection. But of course it is not a remembrance of something in the past. The Orthodox are Platonic in this way: Easter is something like a timeless, unchanging reality. It is of course a historical event. But it is an event that is with us, every time we celebrate it.
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    In the decades since, I have spent Easters in Santa Fe, New York City, Wappingers Falls, Hopewell Junction, in the East Bay, in Oklahoma, in Dallas, sometimes with children, sometimes with my wife, sometimes with old friends. These Easters have been at night and in the morning, super great productions and simple home-made services. The people change: there are new little ones, and some of the old ones are gone away. But it is true. Every Easter is the same.
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    Out & About. This Sunday, April 28, I am to give a talk on True Friendship—David and Jonathan, or Job?—at St. Matthew’s Cathedral in Dallas, at 9:30 a.m.
    Muriel Spark, the Scottish Catholic novelist, celebrated a centennial last year. An early novel of hers, The Comforters, concerns a woman who discovers she is a character in a story someone is writing. It’s a good book. That character is a new convert, and she is perhaps rather unhappy about belonging to God, who is of course her author.
    Spark’s The Prime of Miss Jean Brodie (a later work) will be discussed at the next “Good Books & Good Talk” seminar: at Church of the Incarnation, Dallas, at 6 p.m. on Sunday, May 19, and if you read it, I hope you can join us. I do not recommend the movie.
    My Maundy Thursday sermon is here: https://drive.google.com/file/d/1Da4KaKJS8tfOILy7RbqcNWpL38V9-Y3G/view
    My Easter Vigil sermon is here: https://drive.google.com/file/d/1hSyPns7jQB96FaUjKhN0KA-c9Yg40Eux/view
    Last week I urged you to read Grievous, recently published by Farrar, Straus and Giroux. The author’s name is Heather, but she goes by H. S. Cross—which I forgot to say, which gives me a chance now to repeat my recommendation of this novel set in an English country boarding school in the 1930s, with themes of music, sport, punishment, and second chances.

 

Still it Lives

They planted new trees on the trail last year. Some of them died, their leaves fell off and they stood there, silent bare branches, witnesses to the difficulty of horticulture. In due course they were dug up and replaced.
    Then came winter, and all the leaves fell—not for long, this is Dallas after all—and then the budding came, tiny pouches at the end with the slight hint of color, and soon leaves again.
    A bare tree reveals its beauty in organic geometry. One of those new ones—it’s at least twice my height, and its branches, being still young, all slope upwards with delicate, unscarred strokes, perfectly spaced one from the other, like a cluster of ballerinas with slender lifting arms. This tree has not lost branches due to storm, and is too young to have suffered infestation.
    And yet life is delicate, poised at any moment to slip off balance into death.
    When the other trees budded, this tree remained bare. Passing its way, I looked for it in the morning dark: its stark white limbs, unmuted by color of leaf, were an ethereal presence. It did not change. Its presence was almost unnatural. The other trees were changing daily, as leaf grew to cover other leaf, filling in the spaces, obscuring the structure underneath. But this tree was fixed.
    I wondered if it was dead. I hoped it wasn’t. I hated to think of it being dug up and replaced.
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    Just a couple of weeks ago, the buds were there. Now they are little leaves.
    It lives.
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    The patience of the vinedresser: Don’t have me cut it down yet. Let me try another season of care, with fertilizer and so forth. Wouldn’t we be pleased if it bore fruit again?
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    Yet even a dead tree can come back to life—dead tree, dry bones, stony heart. None are beyond hope.
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    Out & About. On Maundy Thursday at 7 p.m., and at the Easter Vigil, Saturday at 8 p.m., I will preach at the traditional services at Church of the Incarnation in Dallas.
    On April 28, the second Sunday of Easter, I give a talk on True Friendship—David and Jonathan, or Job?—at St. Matthew’s Cathedral in Dallas, at 9:30 a.m.
    Have you discovered the joy of reading Muriel Spark, the Scottish Catholic novelist? The Prime of Miss Jean Brodie is worth reading—and has religious depths edited out of the film. I’ll lead a discussion on it at Incarnation at 6 p.m. on Sunday, May 19, and if you read it, I hope you can join us.
    My friend Heather Cross has just published (with Farrar, Straus and Giroux) her second novel, Grievous. It is good beyond measure, set in an English country boarding school in the 1930s, and has themes of music, sport, punishment, and second chances. I’ll probably write about it later, but in the meantime, I commend it to your reading.

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The Rev. Canon Victor Lee Austin. Ph.D., is the Theologian-in-Residence for the diocese and is the author of several books including, "Friendship: The Heart of Being Human" and "A Post-Covid Catechesis.: