Showing items filed under “The Rev. Canon Dr. Victor Lee Austin”

ED

He taught modern dance, jazz, tap, and everything else except ballet, which was his wife’s domain. So it was he, free in the anteroom of their dance studio, who greeted me every week as I brought my daughter to her ballet lessons. He loved jokes, bad jokes, old Irish jokes, gags, all of them; and he told them as if he were on stage (which indeed he had once been).  

One day it was raining, and he had a sign: “Free car wash” it said, then in parens below, “Top only.” 

I used to try to remember his jokes, and I sure wished I could tell them as he did, with the pauses and the emphases just right. Instead, when I tell a joke, I get nervous, I don’t say things just right; and the difference between a funny line and one that falls dead is often just a half-second pause. Still, although a sort of lapsed Catholic, he respected me as a priest. He seemed to consider that we were in similar occupations, both involving a degree of showmanship; yet I sensed he knew that what went on in church was deeper. 

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Until she went to college, my daughter took dancing lessons from his wife. The year after that my wife and I moved away, as I took another appointment. And a few years after that, not many, we got the word that he was dying of cancer.

There were emails from his wife. I wrote back with promises of prayer. And finally, we got to speak by phone. He had a joke to tell me. I told him how much I always loved his jokes. I think I said a thing or two about New York City, where we were then living. There was nothing serious in my talk; it was on the same light level it had always been. 

And then he said, “Father, you know I’m dying.”

I did know, of course. But I had said nothing about it. Worse, I had said nothing to it, nothing about the meaning of coming to the end of life. I didn’t know what to say.

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There I was, a priest for two decades, talking by phone for what was likely to be the last time, and I didn’t know how to talk about death. I felt like a fraud. He and his wife had been very good to us, had been with us through Susan’s brain surgery and the years that followed, had often done special things for our daughter through that time. And at the end, I was flummoxed. I was too bashful, too shy, or just too reticent—unable to know what I believed, what I wanted to say, what was possible to say, to a friend on the other end of a phone conversation who had cancer and was coming to the end.

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Today I wish I could go back to that conversation. I’d like to say to Ed: You know you are going to meet God. You will see Jesus. There are things you can do in the meantime. Have you told your wife, your children, all your family that you love them? Is there anything you would like to say to any of them that you’ve found it hard to say? This is the time.

I’d like to tell him, Please pray for Susan and me.

And then maybe I’d say, When you see St. Peter, tell him a joke for me, can you?

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Out & AboutI am to preach at St. Matthew’s Cathedral in Dallas the next two Sundays, Aug. 10 and 17; the Eucharists are at 9 and 11:15 a.m.

The days are already getting noticeably shorter, and soon the Good Books & Good Talk seminars will resume. Our first discussion will be on Nicolas Diat’s lovely account of his visits to various French monasteries, A Time to Die. Monks preserve older understandings of caring for each other at the end of life—and of what happens at the moment of death and thereafter. I highly recommend this book to everyone, even if you cannot join the conversation on Sun., Sept. 14, from 5 to 6:30 p.m. at St. Matthew’s Cathedral.

The subsequent seminars will be Oct. 19 on Dr. Wortle’s School by Anthony Trollope, and Nov. 9 on Murder in the Cathedral by T. S. Eliot.

Wes Anderson's Phoenician Scheme

 

Wes Anderson’s Phoenician Delight

I had seen the previews and did not think I would like it. But when The Living Church published its review, I knew I should see it. 

The film is The Phoenician Scheme. Mid-twentieth century, there is a powerful, rich man with a scheme to make a fortune (another fortune?) from a project that involves slave labor and engineered shortages. In addition, this man has survived many assassination attempts—and has had black-and-white visions of an afterlife. He has nine sons and one daughter. He has decided to make her his sole heir. She must help him with his scheme. She is a novice Catholic nun. The film’s set-up is over-the-top unrealistic yet contains stylized scenes and background classical music. It is, of course, a comedy, if a dark one. 

[There are spoilers ahead. Consider yourself warned.]

One might say it is a comedy in the classical sense. TLC says, with a nod to Thomas á Kempis, that it embodies the conflict in the human heart between the Way of Nature and the Way of Grace. The father embodies the Way of Nature, including being a “relentless destroyer of all that stands in [his] way.” The daughter, in white habit, embodies the Way of Grace. Her father had sent her away when she was 5. He has just summoned her to him for this scheme which he then unfolds before her. She is there—present—and yet surprising: she gets his sons to start saying prayers; she offers forgiveness, quickly, with a small sign of the cross, whenever he makes the slightest sign of regret.

It all comes to naught, his plan. He ends up underwriting the whole project—which (without slave labor etc.) does benefit the people of Phoenicia, but at the same time it bankrupts him. Why does he do that? At the end, he and his daughter are relaxing at cards following a day of cooking and serving food and washing dishes—they are doing small-scale good in life and they are enjoying simple pleasures. She is also now engaged. She admits to a certain agnosticism about prayer. Has he repented? Is this what reformation looks like? 

I am told that Wes Anderson is not known for taking religion seriously. But I was delighted to see this film, in which religion and power meet and, like a true comedy, the end is satisfying.

In this sense, as I’ve said before, the book of Job is also a comedy—though it gets to its simple, home-centered conclusion in a rather different way! 

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Out & About: The Good Books & Good Talk seminars resume in Dallas on Sun., Sept. 14, with Nicolas Diat’s lovely account of his visits to various French monasteries, A Time to Die. I highly recommend this book to everyone, and if you can join the conversation all the better—5 p.m. at St. Matthew’s Cathedral.

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 On the Web. Christianity Today has also taken note of Wes Anderson’s current film. Their review is titled: “Wes Anderson Finds God, Played by Bill Murray.” Their summary line? “The Phoenician Scheme is absurd and imperfect. It also takes faith seriously.” https://www.christianitytoday.com/2025/06/phoenician-scheme-wes-anderson-culture-movies-hollywood/

TLC’s final verdict is worth quoting as well: “In The Phoenician Scheme, Anderson makes a strong case that the Church is the only effective form of protest against sin, evil, and death that we have.” Its review is here: https://livingchurch.org/books-and-culture/film-reviews/the-dogmatic-theology-of-wes-anderson/

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The Rev. Canon Victor Lee Austin. Ph.D., is the Theologian-in-Residence for the diocese and is the author of several books including, "Friendship: The Heart of Being Human" and "A Post-Covid Catechesis.: